CREE. |
Owner of the discreet Gilded Cage hideout. Cree has traveled all of El Nysa and established his spies, or "little birds" in every corner of the world. He knows intimate details about important figureheads of both factions, and suspects that the refugees are not all that they seem to be. Despite being a known criminal and the apparent orchestrator of the VIOLET 2710 attacks, he provides work for the lower class and seems to have a generally positive reputation. He has a strong dislike for Ashti.
Cree is almost never seen without a small bird on his shoulder. You might find that you have seen this bird before, and if you listen closely enough, you will hear it speak common to its owner. If you specifically request contact with the the bird alone, it is entirely possible it will carry out a conversation with you.
A character's first interaction with Cree is free of any favor, but they will be required to take up a job (thief, enforcer, informant) before they can return for more information. Sign up at the EMPLOYMENT THREAD and direct any other inquiries by characters here. IC consequences for breaking silence on his whereabouts to their other NPCs will be discussed by PM.
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I do. My mother was determined to raise a lady.
[ That's not even a lie, or part of her cover as a Nysan native. Amanda Carter throwing her hands into the air over her only daughter rolling in the dirt, playing at being a knight. But all that really stuck from her mother's lessons was the need to carry a handkerchief at all times.
She mulls over his earlier words then leans forward a bit. ]
I appreciate your insight, Cree, and always have. And I happen to share your sentiments. But I admit — it's the cities we're leaving behind for the evening that I'm wondering after. Call me paranoid, [ she half-teases, as if it's so unusual in this setting, this line of work. ] Maybe you're right and that we're in the clear for a while. I'd be glad for it, honestly, after the mess of the past few weeks. But I can't help but feel like this entire place is taking one big breath and I don't care for the anticipation.
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He places his pipe down carefully, leaning forward from the table for closer proximity as he speaks. His tone is light, still, but the kind of light that's teetering on the edge of becoming more violate. ]
I do not know why you and your friends are not as knowledgeable about this world as you should be, Lady Carter. Perhaps, one day, I will ask. [ And he will want answers. ] But I will give you this: these cities run on a cycle of vengeance that started lifetimes ago. They do not breathe the fire that drove their ancestors to conflict, but they carry the ember, and they will go down that same path of the past because it is tradition. It is how is has always been, and it has been building up again long before you arrived.
If you want them to breathe a sigh of relief rather than gasp for air after all this anticipation, you must make the hole to breathe yourself. You must expand it. Otherwise, this cycle of events will not be unbroken. I have tried. Many have tried. All of us have failed.
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She can't play too coy, it only works on some people. She can't make the mistake of thinking it works now with him. She's already aware of her standing with him, her and Eggsy both, and her next steps need to be measured. Some other refugees might question why she's involved in this at all, but her concern isn't entirely with the well-being of Olympia or Wyver but rather the well-being of the people who have chosen to make a life in them. Like it or not, this is their home. ]
I understand. I also understand that some traditions can be broken, [ she murmurs after a beat, letting his words hang in the hazy air between them. Just because it's how things have always been doesn't mean it must always be so. But expressing that thought might draw further attention to her otherness, so she refrains. ] Why else are we out there, doing what we do? [ It's just as lightly said, but then she draws back. ] But I suppose we'll just have to see.
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[ It's meant to be final. The way Cree withdraws, turning his gaze back to his papers, all implies the conversation is over. But Peggy's point seems to draw a certain reluctance out of him, obvious in subtle ways — he has not turned his back to her entirely, and he has not resumed his smoking just yet. After a time, he speaks up again. ]
I appreciate your insight as well, Lady Carter. Your mother raised a fine woman, determined to preserve what is yours. [ That, he silently admits, he understands. ] Perhaps this opportunity, as curious and dangerous as it is, will open doors we have not yet been able to go through... If you would like to speculate what this event all means after you attend, I would be more than happy to have you.
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(Careful, Carter.) ]
Thank you, [ she says to the first and the second. She nods to him, to the bird on his shoulder (because that's only polite). ] Until then, if not sooner.
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[ Cree inclines his head in acknowledgement, and also to obscure the smile from her inclusion. The bird meanwhile twitches its head in Peggy's direction abruptly, and after some practicing chirps, repeats "Until then, if not sooner." in Peggy's exact tone of voice back at her.
Rather than address the unsettling action, Cree returns to his work. Careful, Carter. ]